Chris, the red 35mm film is something different and your images at 50 and 120 ISO are really interesting. Especially the bare hardwood trees against the faint red sky. IMO the images shot at 200 are to dark, but that is just my opinion. Considering that there is so little 35mm film available this seems to be a specialized film for specific clients/artist and would not find wide use. One question, would you not get the same results by using different shades of red screw on glass filters? I may be wrong but In the case of filters, you could choose the darkness of the red by adding or removing filters.
In my experience the Pentax 17 does better with slower films. I agree that the 50 and 120 ISO shots are much more interesting than the 200, which is just kind of muddy. I think it's a fun film to play with at those speeds. Could you get a similar effect with filters? Yes. But you're putting a different chunk of glass in front of your highly engineered lense. But there's no right or wrong here-photographers should do what's best for them.
Chris, the red 35mm film is something different and your images at 50 and 120 ISO are really interesting. Especially the bare hardwood trees against the faint red sky. IMO the images shot at 200 are to dark, but that is just my opinion. Considering that there is so little 35mm film available this seems to be a specialized film for specific clients/artist and would not find wide use. One question, would you not get the same results by using different shades of red screw on glass filters? I may be wrong but In the case of filters, you could choose the darkness of the red by adding or removing filters.
In my experience the Pentax 17 does better with slower films. I agree that the 50 and 120 ISO shots are much more interesting than the 200, which is just kind of muddy. I think it's a fun film to play with at those speeds. Could you get a similar effect with filters? Yes. But you're putting a different chunk of glass in front of your highly engineered lense. But there's no right or wrong here-photographers should do what's best for them.